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The lives of great artists such as Raphael were commemorated on equal terms with those of rulers, and fictional characters were also depicted.

Fleury-Richard's Valentine of Milan weeping for the death of her husband , shown in the Paris Salon of , marked the arrival of the style, which lasted until the mid-century, before being subsumed into the increasingly academic history painting of artists like Paul Delaroche.

Another trend was for very large apocalyptic history paintings, often combining extreme natural events, or divine wrath, with human disaster, attempting to outdo The Raft of the Medusa , and now often drawing comparisons with effects from Hollywood.

The leading English artist in the style was John Martin , whose tiny figures were dwarfed by enormous earthquakes and storms, and worked his way through the biblical disasters, and those to come in the final days.

Other works such as Delacroix's Death of Sardanapalus included larger figures, and these often drew heavily on earlier artists, especially Poussin and Rubens , with extra emotionalism and special effects.

Elsewhere in Europe, leading artists adopted Romantic styles: in Russia there were the portraitists Orest Kiprensky and Vasily Tropinin , with Ivan Aivazovsky specializing in marine painting , and in Norway Hans Gude painted scenes of fjords.

His long, prolific and extremely successful career saw him begin as a Neoclassical painter, pass right through the Romantic period, and emerge at the other end as a sentimental painter of young women.

His Romantic period included many historical pieces of "Troubadour" tendencies, but on a very large scale, that are heavily influenced by Gian Battista Tiepolo and other late Baroque Italian masters.

Literary Romanticism had its counterpart in the American visual arts, most especially in the exaltation of an untamed American landscape found in the paintings of the Hudson River School.

They sometimes depicted ancient ruins of the old world, such as in Fredric Edwin Church's piece Sunrise in Syria.

These works reflected the Gothic feelings of death and decay. They also show the Romantic ideal that Nature is powerful and will eventually overcome the transient creations of men.

More often, they worked to distinguish themselves from their European counterparts by depicting uniquely American scenes and landscapes.

This idea of an American identity in the art world is reflected in W. Bryant 's poem To Cole, the Painter, Departing for Europe , where Bryant encourages Cole to remember the powerful scenes that can only be found in America.

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William Blake , Albion Rose , — Louis Janmot , from his series The Poem of the Soul , before Musical Romanticism is predominantly a German phenomenon—so much so that one respected French reference work defines it entirely in terms of "The role of music in the aesthetics of German romanticism".

Similarly, in his analysis of Romanticism and its pursuit of harmony, Henri Lefebvre posits that, "But of course, German romanticism was more closely linked to music than French romanticism was, so it is there we should look for the direct expression of harmony as the central romantic idea.

Although the term "Romanticism" when applied to music has come to imply the period roughly from until , or else until around , the contemporary application of "romantic" to music did not coincide with this modern interpretation.

Hoffmann named Haydn , Mozart and Beethoven as "the three masters of instrumental compositions" who "breathe one and the same romantic spirit".

He justified his view on the basis of these composers' depth of evocative expression and their marked individuality. In Haydn's music, according to Hoffmann, "a child-like, serene disposition prevails", while Mozart in the late E-flat major Symphony , for example "leads us into the depths of the spiritual world", with elements of fear, love, and sorrow, "a presentiment of the infinite Beethoven's music, on the other hand, conveys a sense of "the monstrous and immeasurable", with the pain of an endless longing that "will burst our breasts in a fully coherent concord of all the passions".

Because music was considered to be free of the constraints of reason, imagery, or any other precise concept, it came to be regarded, first in the writings of Wackenroder and Tieck and later by writers such as Schelling and Wagner , as preeminent among the arts, the one best able to express the secrets of the universe, to evoke the spirit world, infinity, and the absolute.

This chronologic agreement of musical and literary Romanticism continued as far as the middle of the 19th century, when Richard Wagner denigrated the music of Meyerbeer and Berlioz as " neoromantic ": "The Opera, to which we shall now return, has swallowed down the Neoromanticism of Berlioz, too, as a plump, fine-flavoured oyster, whose digestion has conferred on it anew a brisk and well-to-do appearance.

It was only toward the end of the 19th century that the newly emergent discipline of Musikwissenschaft musicology —itself a product of the historicizing proclivity of the age—attempted a more scientific periodization of music history, and a distinction between Viennese Classical and Romantic periods was proposed.

From Adler's viewpoint, found in books like Der Stil in der Musik , composers of the New German School and various lateth-century nationalist composers were not Romantics but "moderns" or "realists" by analogy with the fields of painting and literature , and this schema remained prevalent through the first decades of the 20th century.

By the second quarter of the 20th century, an awareness that radical changes in musical syntax had occurred during the early s caused another shift in historical viewpoint, and the change of century came to be seen as marking a decisive break with the musical past.

This in turn led historians such as Alfred Einstein [] to extend the musical " Romantic era " throughout the 19th century and into the first decade of the 20th.

It has continued to be referred to as such in some of the standard music references such as The Oxford Companion to Music [] and Grout 's History of Western Music [] but was not unchallenged.

For example, the prominent German musicologist Friedrich Blume , the chief editor of the first edition of Die Musik in Geschichte und Gegenwart —86 , accepted the earlier position that Classicism and Romanticism together constitute a single period beginning in the middle of the 18th century, but at the same time held that it continued into the 20th century, including such pre-World War II developments as expressionism and neoclassicism.

Giovanni Boldini , Portrait of Giuseppe Verdi , In the contemporary music culture, the romantic musician followed a public career depending on sensitive middle-class audiences rather than on a courtly patron, as had been the case with earlier musicians and composers.

Public persona characterized a new generation of virtuosi who made their way as soloists, epitomized in the concert tours of Paganini and Liszt , and the conductor began to emerge as an important figure, on whose skill the interpretation of the increasingly complex music depended.

The Romantic movement affected most aspects of intellectual life, and Romanticism and science had a powerful connection, especially in the period — Many scientists were influenced by versions of the Naturphilosophie of Johann Gottlieb Fichte , Friedrich Wilhelm Joseph von Schelling and Georg Wilhelm Friedrich Hegel and others, and without abandoning empiricism , sought in their work to uncover what they tended to believe was a unified and organic Nature.

The English scientist Sir Humphry Davy , a prominent Romantic thinker, said that understanding nature required "an attitude of admiration, love and worship, [ Self-understanding was an important aspect of Romanticism.

It had less to do with proving that man was capable of understanding nature through his budding intellect and therefore controlling it, and more to do with the emotional appeal of connecting himself with nature and understanding it through a harmonious co-existence.

History writing was very strongly, and many would say harmfully, influenced by Romanticism. Romantic nationalism had a largely negative effect on the writing of history in the 19th century, as each nation tended to produce its own version of history , and the critical attitude, even cynicism, of earlier historians was often replaced by a tendency to create romantic stories with clearly distinguished heroes and villains.

Much historical effort in the 20th century was devoted to combating the romantic historical myths created in the 19th century. To insulate theology from scientism or reductionism in science, 19th-century post-Enlightenment German theologians developed a modernist or so-called liberal conception of Christianity , led by Friedrich Schleiermacher and Albrecht Ritschl.

They took the Romantic approach of rooting religion in the inner world of the human spirit, so that it is a person's feeling or sensibility about spiritual matters that comprises religion.

Romantic chess was the style of chess which emphasized quick, tactical maneuvers rather than long-term strategic planning.

The " Immortal Game ", played by Adolf Anderssen and Lionel Kieseritzky on 21 June in London—where Anderssen made bold sacrifices to secure victory, giving up both rooks and a bishop, then his queen , and then checkmating his opponent with his three remaining minor pieces —is considered a supreme example of Romantic chess.

One of Romanticism's key ideas and most enduring legacies is the assertion of nationalism, which became a central theme of Romantic art and political philosophy.

From the earliest parts of the movement, with their focus on development of national languages and folklore , and the importance of local customs and traditions, to the movements that would redraw the map of Europe and lead to calls for self-determination of nationalities, nationalism was one of the key vehicles of Romanticism, its role, expression and meaning.

One of the most important functions of medieval references in the 19th century was nationalist. Popular and epic poetry were its workhorses.

This is visible in Germany and Ireland, where underlying Germanic or Celtic linguistic substrates dating from before the Romanization-Latinization were sought out.

Early Romantic nationalism was strongly inspired by Rousseau, and by the ideas of Johann Gottfried von Herder , who in argued that the geography formed the natural economy of a people, and shaped their customs and society.

The nature of nationalism changed dramatically, however, after the French Revolution with the rise of Napoleon , and the reactions in other nations.

Napoleonic nationalism and republicanism were, at first, inspirational to movements in other nations: self-determination and a consciousness of national unity were held to be two of the reasons why France was able to defeat other countries in battle.

But as the French Republic became Napoleon's Empire , Napoleon became not the inspiration for nationalism, but the object of its struggle.

In Prussia , the development of spiritual renewal as a means to engage in the struggle against Napoleon was argued by, among others, Johann Gottlieb Fichte , a disciple of Kant.

The word Volkstum , or nationality, was coined in German as part of this resistance to the now conquering emperor. Fichte expressed the unity of language and nation in his address "To the German Nation" in Those who speak the same language are joined to each other by a multitude of invisible bonds by nature herself, long before any human art begins; they understand each other and have the power of continuing to make themselves understood more and more clearly; they belong together and are by nature one and an inseparable whole.

Only when each people, left to itself, develops and forms itself in accordance with its own peculiar quality, and only when in every people each individual develops himself in accordance with that common quality, as well as in accordance with his own peculiar quality—then, and then only, does the manifestation of divinity appear in its true mirror as it ought to be.

This view of nationalism inspired the collection of folklore by such people as the Brothers Grimm , the revival of old epics as national, and the construction of new epics as if they were old, as in the Kalevala , compiled from Finnish tales and folklore, or Ossian , where the claimed ancient roots were invented.

The view that fairy tales, unless contaminated from outside literary sources, were preserved in the same form over thousands of years, was not exclusive to Romantic Nationalists, but fit in well with their views that such tales expressed the primordial nature of a people.

For instance, the Brothers Grimm rejected many tales they collected because of their similarity to tales by Charles Perrault , which they thought proved they were not truly German tales; [] Sleeping Beauty survived in their collection because the tale of Brynhildr convinced them that the figure of the sleeping princess was authentically German.

He regarded the oral literature of the peasants as an integral part of Serbian culture, compiling it to use in his collections of folk songs, tales and proverbs, as well as the first dictionary of vernacular Serbian.

Romanticism played an essential role in the national awakening of many Central European peoples lacking their own national states, not least in Poland, which had recently failed to restore its independence when Russia's army crushed the Polish Uprising under Nicholas I.

Revival and reinterpretation of ancient myths, customs and traditions by Romantic poets and painters helped to distinguish their indigenous cultures from those of the dominant nations and crystallise the mythography of Romantic nationalism.

Patriotism, nationalism, revolution and armed struggle for independence also became popular themes in the arts of this period.

Arguably, the most distinguished Romantic poet of this part of Europe was Adam Mickiewicz , who developed an idea that Poland was the Messiah of Nations , predestined to suffer just as Jesus had suffered to save all the people.

The Polish self-image as a " Christ among nations " or the martyr of Europe can be traced back to its history of Christendom and suffering under invasions.

During the periods of foreign occupation, the Catholic Church served as bastion of Poland's national identity and language, and the major promoter of Polish culture.

The partitions came to be seen in Poland as a Polish sacrifice for the security for Western civilization. Adam Mickiewicz wrote the patriotic drama Dziady directed against the Russians , where he depicts Poland as the Christ of Nations.

He also wrote "Verily I say unto you, it is not for you to learn civilization from foreigners, but it is you who are to teach them civilization You are among the foreigners like the Apostles among the idolaters".

Dziady is known for various interpretation. The most known ones are the moral aspect of part II, individualist and romantic message of part IV, as well as deeply patriotic, messianistic and Christian vision in part III of the poem.

In his book Mickiewicz hermetyczny he writes about hermetic , theosophic and alchemical philosophy on the book as well as Masonic symbols.

Joseph Vernet , , Shipwreck ; the 18th-century "sublime". Henry Fuseli , , The Nightmare , a classical artist whose themes often anticipate the Romantic.

Joseph Anton Koch , Waterfalls at Subiaco —, a "classical" landscape to art historians. James Ward , —, Gordale Scar.

Dahl , , Eruption of Vesuvius , by Friedrich's closest follower. William Blake , c. Petersburg, Russia. From Wikipedia, the free encyclopedia.

Period of artistic, literary, and intellectual movement that started in 18th-century Europe. For other uses, see Romance disambiguation.

See also: Romantic poetry. Main article: Romantic literature in English. Main article: Romanticism in Scotland.

Main article: Romanticism in France. Main article: Romanticism in Poland. Main article: Romanticism in Spanish literature. Main articles: American literature and Romantic literature in English.

See also: Gothic Revival architecture. Cologne Cathedral — See also: Romantic music , Musical nationalism , and List of Romantic-era composers.

Felix Mendelssohn , Robert Schumann , Franz Liszt , Daniel Auber , c. Hector Berlioz , Richard Wagner , c.

Giacomo Meyerbeer , Main article: Romanticism in science. Main article: Romantic chess. Main article: Romantic nationalism. Gerald Abraham M.

Archived from the original on 13 October Retrieved Volume III, Number 1. Archived from the original on May 13, The Cambridge History of Political Thought.

Retrieved 10 September Ruins, Nostalgia and Ugliness. Berlin: Logos Verlag. They work up their nervous system into a state of agitation, then, of course, their equilibrium is upset.

Studia Musicologica Academiae Scientiarum Hungaricae. The concept of absolute originality is a contemporary one, born with Romanticism; classical art was in vast measure serial, and the "modern" avant-garde at the beginning of this century challenged the Romantic idea of "creation from nothingness", with its techniques of collage, mustachios on the Mona Lisa, art about art, and so on.

Rogers D. Spotswood Collection. Encyclopedia of the Novel. The Cambridge Companion to German Romanticism.

Cambridge University Press. Bey F. Vieweg dem Älteren. Ich habe ein bestimmtes Merkmahl des Gegensatzes zwischen dem Antiken und dem Romantischen aufgestellt.

Ich denke es ist etwa ebenso verschieden, wie die Gemählde des Raphael und Correggio von den Kupferstichen die jetzt Mode sind.

Wollen Sie sich den Unterschied völlig klar machen, so lesen Sie gefälligst etwa die Emilia Galotti die so unaussprechlich modern und doch im geringsten nicht romantisch ist, und erinnern sich dann an Shakspeare, in den ich das eigentliche Zentrum, den Kern der romantischen Fantasie setzen möchte.

Da suche und finde ich das Romantische, bey den ältern Modernen, bey Shakspeare, Cervantes, in der italiänischen Poesie, in jenem Zeitalter der Ritter, der Liebe und der Mährchen, aus welchem die Sache und das Wort selbst herstammt.

Dieses ist bis jetzt das einzige, was einen Gegensatz zu den classischen Dichtungen des Alterthums abgeben kann; nur diese ewig frischen Blüthen der Fantasie sind würdig die alten Götterbilder zu umkränzen.

Wie unsre Dichtkunst mit dem Roman, so fing die der Griechen mit dem Epos an und löste sich wieder darin auf. British Literature — Samuel Palmer 's only published text was a short piece opposing the Repeal of the corn laws.

See in particular: Berlin, 34—47, 57—59, —, — There were a few exceptions, notably Byron, who integrated satire into some of his greatest works, yet shared much in common with his Romantic contemporaries.

Bloom, p. By Sidney Colvin, p. The Oxford Companion to Fairy Tales. Oxford University Press. They were not well received, and with regret, he reverted to Nahum Tate 's version with a comic ending, which had been standard since New York: Routledge.

MacKay, E. Longley and F. Jarrels, "'Associations respect[ing] the past': Enlightenment and Romantic historicism", in J.

Benchimol, ed. Murray, Encyclopedia of the romantic era, — vol. University of Virginia Slavic Department. Retrieved 1 August Museo del Prado in Spanish.

Retrieved March 27, Silver, Ruin and restitution: reinterpreting romanticism in Spain p. New York: Garland Publishing, Inc.

Modern Language Review. Madrid: Editorial Gredos. Obras Completas de Almeida Garrett — 2 Volumes.

Porto: Lello Editores. Lopes, Oscar 17a ed. In Ferber, Michael ed. Companion to European Romanticism. London: Blackwell.

Milan: Garzanti. McMichael and Frederick C. Crews, eds. Anthology of American Literature: Colonial through romantic 6th ed.

Bologna: Zanichelli. London: Verso. Romanticism and the Sciences , p. Romanticism in Science: Science in Europe, — , p. Sreedharan A Textbook of Historiography, B.

Orient Blackswan. The Oxford Handbook of Religion and Science p. Knopf Doubleday. Teach Yourself Chess. Fordham University. Retrieved October 1, Retrieved 19 January Adler, Guido.

Der Stil in der Musik. Methode der Musikgeschichte. Handbuch der Musikgeschichte , second, thoroughly revised and greatly expanded edition.

Berlin-Wilmersdorf: H. Reprinted, Tutzing: Schneider, Barzun, Jacques. Berlin, Isaiah. Henry Hardy.

London: John Murray. Bloom, Harold ed. George Gordon, Lord Byron. New York: Chelsea House Publishers. Blume, Friedrich.

Classic and Romantic Music , translated by M. New York: W. Qualls, and Claire Waters. Peterborough: Broadview Press. Bowra, C. The Romantic Imagination in series, "Galaxy Book[s]".

New York: Oxford University Press. Boyer, Jean-Paul. Paris: Fasquelle. Christiansen, Rupert. Romantic Affinities: Portraits From an Age, — London: Bodley Head.

Paperback reprint, London: Vintage, Paperback reprint, London: Pimlico, Cunningham, Andrew, and Nicholas Jardine eds.

Romanticism and the Sciences. Day, Aidan. Eco, Umberto. Bloomington: Indiana University Press. Music in the Romantic Era. Ferber, Michael.

Romanticism: A Very Short Introduction. Republished, 3 vols. New York: Da Capo Press, Bologna: Forni Editore, Grout, Donald Jay.

A History of Western Music. Hoffmann, Ernst Theodor Amadeus. Allgemeine musikalische Zeitung 12, no. Honour, Hugh , Neo-classicism , , Pelican.

Hughes, Robert. New York: Alfred A. Knopf, Joachimides, Christos M. Macfarlane, Robert. Ruthven, Kenneth Knowles.

Faking Literature. Poisson, Georges; Poisson, Olivier Paris: Picard. Samson, Jim. London: Macmillan Publishers. Versailles Visitor's Guide.

Oxford: Clarendon Press. Spearing, A. Wagner, Richard. Opera and Drama , translated by William Ashton Ellis.

Lincoln: University of Nebraska Press, Warrack, John. Für Männer mit ernsten Absichten, eine Frau kennen zu lernen, also ideale Voraussetzungen.

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The publication in of Lyrical Ballads , with many of the finest poems by Wordsworth and Coleridge, is often held to mark the start of the movement.

The majority of the poems were by Wordsworth, and many dealt with the lives of the poor in his native Lake District , or his feelings about nature—which he more fully developed in his long poem The Prelude , never published in his lifetime.

The longest poem in the volume was Coleridge's The Rime of the Ancient Mariner , which showed the Gothic side of English Romanticism, and the exotic settings that many works featured.

In the period when they were writing, the Lake Poets were widely regarded as a marginal group of radicals, though they were supported by the critic and writer William Hazlitt and others.

In contrast, Lord Byron and Walter Scott achieved enormous fame and influence throughout Europe with works exploiting the violence and drama of their exotic and historical settings; Goethe called Byron "undoubtedly the greatest genius of our century".

Both were set in the distant Scottish past, already evoked in Ossian ; Romanticism and Scotland were to have a long and fruitful partnership.

Byron had equal success with the first part of Childe Harold's Pilgrimage in , followed by four "Turkish tales", all in the form of long poems, starting with The Giaour in , drawing from his Grand Tour , which had reached Ottoman Europe, and orientalizing the themes of the Gothic novel in verse.

These featured different variations of the " Byronic hero ", and his own life contributed a further version. Scott meanwhile was effectively inventing the historical novel , beginning in with Waverley , set in the Jacobite rising , which was an enormous and highly profitable success, followed by over 20 further Waverley Novels over the next 17 years, with settings going back to the Crusades that he had researched to a degree that was new in literature.

In contrast to Germany, Romanticism in English literature had little connection with nationalism, and the Romantics were often regarded with suspicion for the sympathy many felt for the ideals of the French Revolution , whose collapse and replacement with the dictatorship of Napoleon was, as elsewhere in Europe, a shock to the movement.

Though his novels celebrated Scottish identity and history, Scott was politically a firm Unionist, but admitted to Jacobite sympathies.

Several spent much time abroad, and a famous stay on Lake Geneva with Byron and Shelley in produced the hugely influential novel Frankenstein by Shelley's wife-to-be Mary Shelley and the novella The Vampyre by Byron's doctor John William Polidori.

The lyrics of Robert Burns in Scotland, and Thomas Moore from Ireland, reflected in different ways their countries and the Romantic interest in folk literature, but neither had a fully Romantic approach to life or their work.

Byron is now most highly regarded for his short lyrics and his generally unromantic prose writings, especially his letters, and his unfinished satire Don Juan.

Wordsworth was by respectable and highly regarded, holding a government sinecure , but wrote relatively little. In the discussion of English literature, the Romantic period is often regarded as finishing around the s, or sometimes even earlier, although many authors of the succeeding decades were no less committed to Romantic values.

The most significant novelist in English during the peak Romantic period, other than Walter Scott, was Jane Austen , whose essentially conservative world-view had little in common with her Romantic contemporaries, retaining a strong belief in decorum and social rules, though critics such as Claudia L.

Johnson have detected tremors under the surface of many works, such as Northanger Abbey , Mansfield Park and Persuasion While these two novels were written and published after the Romantic period is said to have ended, their novels were heavily influenced by Romantic literature they'd read as children.

Byron, Keats and Shelley all wrote for the stage, but with little success in England, with Shelley's The Cenci perhaps the best work produced, though that was not played in a public theatre in England until a century after his death.

Byron's plays, along with dramatizations of his poems and Scott's novels, were much more popular on the Continent, and especially in France, and through these versions several were turned into operas, many still performed today.

If contemporary poets had little success on the stage, the period was a legendary one for performances of Shakespeare , and went some way to restoring his original texts and removing the Augustan "improvements" to them.

The greatest actor of the period, Edmund Kean , restored the tragic ending to King Lear ; [53] Coleridge said that, "Seeing him act was like reading Shakespeare by flashes of lightning.

Although after union with England in Scotland increasingly adopted English language and wider cultural norms, its literature developed a distinct national identity and began to enjoy an international reputation.

Allan Ramsay — laid the foundations of a reawakening of interest in older Scottish literature, as well as leading the trend for pastoral poetry, helping to develop the Habbie stanza as a poetic form.

Claiming to have found poetry written by the ancient bard Ossian , he published translations that acquired international popularity, being proclaimed as a Celtic equivalent of the Classical epics.

Fingal , written in , was speedily translated into many European languages, and its appreciation of natural beauty and treatment of the ancient legend has been credited more than any single work with bringing about the Romantic movement in European, and especially in German literature, through its influence on Johann Gottfried von Herder and Johann Wolfgang von Goethe.

Robert Burns —96 and Walter Scott — were highly influenced by the Ossian cycle. Burns, an Ayrshire poet and lyricist, is widely regarded as the national poet of Scotland and a major influence on the Romantic movement.

His poem and song " Auld Lang Syne " is often sung at Hogmanay the last day of the year , and " Scots Wha Hae " served for a long time as an unofficial national anthem of the country.

His first prose work, Waverley in , is often called the first historical novel. Scott probably did more than any other figure to define and popularise Scottish cultural identity in the nineteenth century.

Scotland was also the location of two of the most important literary magazines of the era, The Edinburgh Review founded in and Blackwood's Magazine founded in , which had a major impact on the development of British literature and drama in the era of Romanticism.

Scottish "national drama" emerged in the early s, as plays with specifically Scottish themes began to dominate the Scottish stage.

Theatres had been discouraged by the Church of Scotland and fears of Jacobite assemblies. In the later eighteenth century, many plays were written for and performed by small amateur companies and were not published and so most have been lost.

Towards the end of the century there were " closet dramas ", primarily designed to be read, rather than performed, including work by Scott, Hogg, Galt and Joanna Baillie — , often influenced by the ballad tradition and Gothic Romanticism.

Romanticism was relatively late in developing in French literature , more so than in the visual arts. After the Bourbon Restoration , French Romanticism developed in the lively world of Parisian theatre , with productions of Shakespeare , Schiller in France a key Romantic author , and adaptations of Scott and Byron alongside French authors, several of whom began to write in the late s.

Cliques of pro- and anti-Romantics developed, and productions were often accompanied by raucous vocalizing by the two sides, including the shouted assertion by one theatregoer in that "Shakespeare, c'est l'aide-de-camp de Wellington" "Shakespeare is Wellington 's aide-de-camp ".

Victor Hugo published as a poet in the s before achieving success on the stage with Hernani —a historical drama in a quasi-Shakespearian style that had famously riotous performances on its first run in The preface to his unperformed play Cromwell gives an important manifesto of French Romanticism, stating that "there are no rules, or models".

Alfred de Vigny remains best known as a dramatist, with his play on the life of the English poet Chatterton perhaps his best work.

George Sand was a central figure of the Parisian literary scene, famous both for her novels and criticism and her affairs with Chopin and several others; [71] she too was inspired by the theatre, and wrote works to be staged at her private estate.

Stendhal is today probably the most highly regarded French novelist of the period, but he stands in a complex relation with Romanticism, and is notable for his penetrating psychological insight into his characters and his realism, qualities rarely prominent in Romantic fiction.

As a survivor of the French retreat from Moscow in , fantasies of heroism and adventure had little appeal for him, and like Goya he is often seen as a forerunner of Realism.

Romanticism in Poland is often taken to begin with the publication of Adam Mickiewicz 's first poems in , and end with the crushing of the January Uprising of against the Russians.

It was strongly marked by interest in Polish history. This close connection between Polish Romanticism and Polish history became one of the defining qualities of the literature of Polish Romanticism period, differentiating it from that of other countries.

They had not suffered the loss of national statehood as was the case with Poland. The Polish intelligentsia, along with leading members of its government, left Poland in the early s, during what is referred to as the " Great Emigration ", resettling in France, Germany, Great Britain, Turkey, and the United States.

Their art featured emotionalism and irrationality , fantasy and imagination, personality cults, folklore and country life, and the propagation of ideals of freedom.

In the second period, many of the Polish Romantics worked abroad, often banished from Poland by the occupying powers due to their politically subversive ideas.

Their work became increasingly dominated by the ideals of political struggle for freedom and their country's sovereignty.

Elements of mysticism became more prominent. There developed the idea of the poeta wieszcz the prophet. The wieszcz bard functioned as spiritual leader to the nation fighting for its independence.

The most notable poet so recognized was Adam Mickiewicz. Unlike his predecessors, who called for victory at whatever price in Poland's struggle against Russia, Krasinski emphasized Poland's spiritual role in its fight for independence, advocating an intellectual rather than a military superiority.

Pushkin's work influenced many writers in the 19th century and led to his eventual recognition as Russia's greatest poet.

Influenced heavily by Lord Byron, Lermontov sought to explore the Romantic emphasis on metaphysical discontent with society and self, while Tyutchev's poems often described scenes of nature or passions of love.

Tyutchev commonly operated with such categories as night and day, north and south, dream and reality, cosmos and chaos, and the still world of winter and spring teeming with life.

Baratynsky's style was fairly classical in nature, dwelling on the models of the previous century. Romanticism in Spanish literature developed a well-known literature with a huge variety of poets and playwrights.

Spanish Romanticism also influenced regional literatures. There are scholars who consider Spanish Romanticism to be Proto-Existentialism because it is more anguished than the movement in other European countries.

Foster et al. According to Richard Caldwell, the writers that we now identify with Spain's romanticism were actually precursors to those who galvanized the literary movement that emerged in the s.

Romanticism began in Portugal with the publication of the poem Camões , by Almeida Garrett , who was raised by his uncle D.

Alexandre, bishop of Angra , in the precepts of Neoclassicism , which can be observed in his early work. The author himself confesses in Camões ' preface that he voluntarily refused to follow the principles of epic poetry enunciated by Aristotle in his Poetics , as he did the same to Horace 's Ars Poetica.

Almeida Garrett had participated in the Liberal Revolution , which caused him to exile himself in England in and then in France, after the Vila-Francada.

He was also deeply interested in Portuguese folkloric verse, which resulted in the publication of Romanceiro "Traditional Portuguese Ballads" , that recollect a great number of ancient popular ballads, known as "romances" or "rimances", in redondilha maior verse form, that contained stories of chivalry , life of saints , crusades , courtly love , etc.

He too was forced to exile to Great Britain and France because of his liberal ideals. All of his poetry and prose are unlike Almeida Garrett's entirely Romantic, rejecting Greco-Roman myth and history.

He sought inspiration in medieval Portuguese poems and chronicles as in the Bible. He became an unquestionable master for successive Ultra-Romantic generations, whose influence would not be challenged until the famous Coimbra Question.

He also created polemics by translating Goethe 's Faust without knowing German, but using French versions of the play. An early Portuguese expression of Romanticism is found already in poets such as Manuel Maria Barbosa du Bocage especially in his sonnets dated at the end of the 18th century and Leonor de Almeida Portugal, Marquise of Alorna.

Before that date, Ugo Foscolo had already published poems anticipating Romantic themes. His writings were influenced by his hatred for the Argentine dictator Juan Manuel de Rosas , and filled with themes of blood and terror, using the metaphor of a slaughterhouse to portray the violence of Rosas' dictatorship.

Brazilian Romanticism is characterized and divided in three different periods. The first one is basically focused on the creation of a sense of national identity, using the ideal of the heroic Indian.

The second period, sometimes called Ultra-Romanticism , is marked by a profound influence of European themes and traditions, involving the melancholy, sadness and despair related to unobtainable love.

Goethe and Lord Byron are commonly quoted in these works. American Romantic Gothic literature made an early appearance with Washington Irving 's The Legend of Sleepy Hollow and Rip Van Winkle , followed from onwards by the Leatherstocking Tales of James Fenimore Cooper , with their emphasis on heroic simplicity and their fervent landscape descriptions of an already-exotic mythicized frontier peopled by " noble savages ", similar to the philosophical theory of Rousseau , exemplified by Uncas , from The Last of the Mohicans.

There are picturesque "local colour" elements in Washington Irving's essays and especially his travel books. Edgar Allan Poe 's tales of the macabre and his balladic poetry were more influential in France than at home, but the romantic American novel developed fully with the atmosphere and melodrama of Nathaniel Hawthorne 's The Scarlet Letter Later Transcendentalist writers such as Henry David Thoreau and Ralph Waldo Emerson still show elements of its influence and imagination, as does the romantic realism of Walt Whitman.

The poetry of Emily Dickinson —nearly unread in her own time—and Herman Melville 's novel Moby-Dick can be taken as epitomes of American Romantic literature.

By the s, however, psychological and social realism were competing with Romanticism in the novel. The European Romantic movement reached America in the early 19th century.

American Romanticism was just as multifaceted and individualistic as it was in Europe. Like the Europeans, the American Romantics demonstrated a high level of moral enthusiasm, commitment to individualism and the unfolding of the self, an emphasis on intuitive perception, and the assumption that the natural world was inherently good, while human society was filled with corruption.

Romanticism became popular in American politics, philosophy and art. The movement appealed to the revolutionary spirit of America as well as to those longing to break free of the strict religious traditions of early settlement.

The Romantics rejected rationalism and religious intellect. It appealed to those in opposition of Calvinism, which includes the belief that the destiny of each individual is preordained.

The Romantic movement gave rise to New England Transcendentalism , which portrayed a less restrictive relationship between God and Universe.

The new philosophy presented the individual with a more personal relationship with God. Transcendentalism and Romanticism appealed to Americans in a similar fashion, for both privileged feeling over reason, individual freedom of expression over the restraints of tradition and custom.

It often involved a rapturous response to nature. It encouraged the rejection of harsh, rigid Calvinism, and promised a new blossoming of American culture.

American Romanticism embraced the individual and rebelled against the confinement of neoclassicism and religious tradition.

The Romantic movement in America created a new literary genre that continues to influence American writers. Novels, short stories, and poems replaced the sermons and manifestos of yore.

Romantic literature was personal, intense, and portrayed more emotion than ever seen in neoclassical literature. America's preoccupation with freedom became a great source of motivation for Romantic writers as many were delighted in free expression and emotion without so much fear of ridicule and controversy.

They also put more effort into the psychological development of their characters, and the main characters typically displayed extremes of sensitivity and excitement.

The works of the Romantic Era also differed from preceding works in that they spoke to a wider audience, partly reflecting the greater distribution of books as costs came down during the period.

Romantic architecture appeared in the late 18th century in a reaction against the rigid forms of neoclassical architecture.

It was designed to evoke an emotional reaction, either respect for tradition or nostalgia for a bucolic past.

It was frequently inspired by the architecture of the Middle Ages , especially Gothic architecture , It was strongly influenced by romanticism in literature, particularly the historical novels of Victor Hugo and Walter Scott.

It sometimes moved into the domain of eclecticism , with features assembled from different historic periods and regions of the world.

Gothic Revival architecture was a popular variant of the romantic style, particularly in the construction of churches, Cathedrals, and university buildings.

The cathedral had been begun in , but work was halted in Schinkel followed the original design as much as possible, but used modern construction technology, including an iron frame for the roof.

The building was finished in In Britain, notable examples include the Royal Pavilion in Brighton , a romantic version of traditional Indian architecture by John Nash — , and the Houses of Parliament in London, built in a Gothic revival style by Charles Barry between and In France, one of the earliest examples of romantic architecture is the Hameau de la Reine , the small rustic hamlet created at the Palace of Versailles for Queen Marie Antoinette between and by the royal architect Richard Mique with the help of the romantic painter Hubert Robert.

It consisted of twelve structures, ten of which still exist, in the style of villages in Normandy. It was designed for the Queen and her friends to amuse themselves by playing at being peasants, and included a farmhouse with a dairy, a mill, a boudoir, a pigeon loft, a tower in the form of a lighthouse from which one could fish in the pond, a belvedere, a cascade and grotto, and a luxuriously furnished cottage with a billiard room for the Queen.

The romantic style continued in the second half of the 19th century. The Palais Garnier , the Paris opera house designed by Charles Garnier was a highly romantic and eclectic combination of artistic styles.

Hameau de la Reine , Palace of Versailles — Royal Pavilion in Brighton by John Nash — In the visual arts, Romanticism first showed itself in landscape painting , where from as early as the s British artists began to turn to wilder landscapes and storms, and Gothic architecture , even if they had to make do with Wales as a setting.

Caspar David Friedrich and J. Turner were born less than a year apart in and respectively and were to take German and English landscape painting to their extremes of Romanticism, but both their artistic sensibilities were formed when forms of Romanticism was already strongly present in art.

John Constable , born in , stayed closer to the English landscape tradition, but in his largest "six-footers" insisted on the heroic status of a patch of the working countryside where he had grown up—challenging the traditional hierarchy of genres , which relegated landscape painting to a low status.

Turner also painted very large landscapes, and above all, seascapes. Some of these large paintings had contemporary settings and staffage , but others had small figures that turned the work into history painting in the manner of Claude Lorrain , like Salvator Rosa , a late Baroque artist whose landscapes had elements that Romantic painters repeatedly turned to.

Friedrich often used single figures, or features like crosses, set alone amidst a huge landscape, "making them images of the transitoriness of human life and the premonition of death".

Other groups of artists expressed feelings that verged on the mystical, many largely abandoning classical drawing and proportions.

Like Friedrich, none of these artists had significant influence after their deaths for the rest of the 19th century, and were 20th-century rediscoveries from obscurity, though Blake was always known as a poet, and Norway's leading painter Johan Christian Dahl was heavily influenced by Friedrich.

The Rome-based Nazarene movement of German artists, active from , took a very different path, concentrating on medievalizing history paintings with religious and nationalist themes.

Girodet's old teacher David was puzzled and disappointed by his pupil's direction, saying: "Either Girodet is mad or I no longer know anything of the art of painting".

The second was a scene from the Greek War of Independence, completed the year Byron died there, and the last was a scene from one of Byron's plays.

With Shakespeare, Byron was to provide the subject matter for many other works of Delacroix, who also spent long periods in North Africa, painting colourful scenes of mounted Arab warriors.

His Liberty Leading the People remains, with the Medusa , one of the best-known works of French Romantic painting.

Both reflected current events, and increasingly " history painting ", literally "story painting", a phrase dating back to the Italian Renaissance meaning the painting of subjects with groups of figures, long considered the highest and most difficult form of art, did indeed become the painting of historical scenes, rather than those from religion or mythology.

Francisco Goya was called "the last great painter in whose art thought and observation were balanced and combined to form a faultless unity".

In Spain, there was still a struggle to introduce the values of the Enlightenment , in which Goya saw himself as a participant.

The demonic and anti-rational monsters thrown up by his imagination are only superficially similar to those of the Gothic fantasies of northern Europe, and in many ways he remained wedded to the classicism and realism of his training, as well as looking forward to the Realism of the later 19th century.

Sculpture remained largely impervious to Romanticism, probably partly for technical reasons, as the most prestigious material of the day, marble, does not lend itself to expansive gestures.

The leading sculptors in Europe, Antonio Canova and Bertel Thorvaldsen , were both based in Rome and firm Neoclassicists, not at all tempted to allow influence from medieval sculpture, which would have been one possible approach to Romantic sculpture.

Francisco Goya , The Third of May , In France, historical painting on idealized medieval and Renaissance themes is known as the style Troubadour , a term with no equivalent for other countries, though the same trends occurred there.

Their pictures are often small, and feature intimate private and anecdotal moments, as well as those of high drama.

The lives of great artists such as Raphael were commemorated on equal terms with those of rulers, and fictional characters were also depicted.

Fleury-Richard's Valentine of Milan weeping for the death of her husband , shown in the Paris Salon of , marked the arrival of the style, which lasted until the mid-century, before being subsumed into the increasingly academic history painting of artists like Paul Delaroche.

Another trend was for very large apocalyptic history paintings, often combining extreme natural events, or divine wrath, with human disaster, attempting to outdo The Raft of the Medusa , and now often drawing comparisons with effects from Hollywood.

The leading English artist in the style was John Martin , whose tiny figures were dwarfed by enormous earthquakes and storms, and worked his way through the biblical disasters, and those to come in the final days.

Other works such as Delacroix's Death of Sardanapalus included larger figures, and these often drew heavily on earlier artists, especially Poussin and Rubens , with extra emotionalism and special effects.

Elsewhere in Europe, leading artists adopted Romantic styles: in Russia there were the portraitists Orest Kiprensky and Vasily Tropinin , with Ivan Aivazovsky specializing in marine painting , and in Norway Hans Gude painted scenes of fjords.

His long, prolific and extremely successful career saw him begin as a Neoclassical painter, pass right through the Romantic period, and emerge at the other end as a sentimental painter of young women.

His Romantic period included many historical pieces of "Troubadour" tendencies, but on a very large scale, that are heavily influenced by Gian Battista Tiepolo and other late Baroque Italian masters.

Literary Romanticism had its counterpart in the American visual arts, most especially in the exaltation of an untamed American landscape found in the paintings of the Hudson River School.

They sometimes depicted ancient ruins of the old world, such as in Fredric Edwin Church's piece Sunrise in Syria.

These works reflected the Gothic feelings of death and decay. They also show the Romantic ideal that Nature is powerful and will eventually overcome the transient creations of men.

More often, they worked to distinguish themselves from their European counterparts by depicting uniquely American scenes and landscapes.

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